Sme fans with a wider musical palette dig the 'Joyful Noise' versions as an interesting experiment in a genre that doesn't often venture of the box in this way.

This out-there creative choice for Childers is not for everyone. These are electronic remixes that focus more on loops and vocal samples than any sort of traditional country music or southern rock sound.

While the first two parts of the project are more in line with the singer-songwriter's previous efforts, the 'Joyful Noise' portion is a total departure. The eight songs were recorded in three different ways: a 'Hallelujah' version, a 'Jubilee' version and a 'Joyful Noise' version. If it’s a good project from top to bottom, it’s like I’m addicted to that and want it every time out.Can I Take My Hounds to Heaven? is a triple-LP, but it actually one set of songs imagined in three different arrangements. He continued, “I love doing this, and even though with all the new career moves and stuff I have planned out, I’m still going to make albums. I would never undo it, but I feel there’s a lot of stuff that’s left on the table.” “I’m in grind mode, and I feel like me doing that hiatus thing was necessary. “I’m just in go mode,” Metro says about his workload and what’s to come. For Metro, the joint tape is another example of how much he loves music, and after taking a break from the art form for a year, he’s back to chasing after his love. Like I was taking one thing from another song in a completely different genre and incorporated it into what we do, and it made a world of difference.”Īs much as fans love the idea of Metro and Future joining forces on a project, it means so much more to the creatives putting it together. “I was studying different rhythms, different bounces, and listening to other genres. “I’m a student of the game, like I really do my homework on shit like what’s the theme, what world will this album live in,” said Metro. But with Pluto, he’s on the same shit I’m on, and I tell him, let’s make the hardest shit we can make, and he’s all in.” He’s completely there asking you what he should do and what you like. With some other people, sometimes you have to eat whatever shit they give you that day. “I feel like that’s why we get the results that we do because we don’t come in with any ego. “He’s one of the best artists to work with like that,” Metro adds. He thrives on knowing the strengths and weaknesses of an artist as it helps him bring the best out of them, and Future is at the top of the list when it comes to working in that type of environment. Their working relationship has proved fruitful, yet their collaborative skills haven’t been tested on a full-length project.Īccording to Metro, he considers himself a “traditional producer” when figuring out the direction of an album.

Metro Boomin and Future have collaborated on countless tracks including “Mask Off,” “Honest,” “Wicked,” “Where Ya At,” and “Jumpman” with Drake.

Me and him working together is easy 'cause we’ve been doing it for 10-plus years.” “With our track record, it’s important that we deliver and not miss at all. “I know how important this album from both of us is going to be,” said Metro. Hints continued to drop, which had built an undeniable buzz, and Metro knew he and Future couldn’t fumble a huge opportunity. Metro Boomin first announced the joint album during an interview with Ebro Darden in December, and since then, fans have been busting at the seams, thirsty for more information on what they’ve been crafting in the lab.

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